theparisreview:

“Only Art controls Time. It can freeze it, pin its moment, accelerate it, ignore it, invent and re-invent it, spin it over, under, sideways, down. Consequently (imagination being truer than fact), our artists have become our best recorders of all our worlds. Time and Place are conjoined and frozen in the fullness of their reportage; we see how it was There and Then—in the house in Delft, where Vermeer’s girl reads her letter, or in the early twentieth-century Byleorussian village which Chagall showed from his most credible point of view, of the couple flying above it. The most touching are particular to their time and their place.”

The Public Domain Review highlights the work of Eric Ravilious.

Not sure what to make of the parenthetical “imagination being truer than fact” comment, but the visuals here are stunning. 

Timothy Willard loves to sit with his wife by the bonfire and make up stories about Tom the Backyard-Badger for his three lovely daughters. When he's not carving up the Appalachian Mountains on his Salsa El Mariachi, you can find him busy writing a book, collaborating on a book, or reading a book written by someone dead and gone. Timothy studied beauty in the works of C.S. Lewis under theologian Alister McGrath. The author of five books, including Veneer: Living Deeply in a Surface Society (Zondervan), Timothy is currently finishing The Life-Changing Adventure of Chasing Beauty (Eerdmans, 2019), preparing his doctoral thesis for publication, and trying to find a publisher for his first novel The Tempest and the Bloom. He lives somewhere in the south Charlotte woods.